Film Review of Mar adentro
Year: 2004 Reviewer: Chris Docker
You can't move. At least nothing below the neck moves. You can't turn around. You can't eat or drink unaided, or do, choose, or effectively decide, very much for that matter.
Once you had a full life, travelling the world as a ship hand, living and loving to the full. Inside, your spirit still soars, racing along the beach, catching the spray of the waves, smelling the hair of a woman in your arms. But now your spirit has been disenfranchised, stranded behind the veil of your dreams. You have become a distant observer of your own life, powerless to get involved, a ghost at the wheel.
This is the evocative story based on the real life Ramon Sanpedro who became a quadriplegic after a diving accident, and it is the film's brilliant interiorisation of his world, making the audience feel and see things as if they were the highly articulate Ramon, that gives it the gut-wrenching force to scale the heights of emotional grandeur - rather than wallowing in the grim mire of a sentimental 'message' movie.
Early on, the audience is tantalisingly entrusted with the attraction that this unusual man convincingly conveys. Manuela, his sister in law, is devoted to him. Rosa, a struggling local DJ and factory worker, is enamoured of him. But it is Julia, a beautiful lawyer representing him that most understands and empathises with him, partly as she has a dark secret of her own. The right to die campaign worker, Gene, is inexhaustibly supportive, and one of the most well balanced characters morally. But with who, if any, will romantic flights of fancy become physical? And who, if any, will help him achieve his wish to say goodbye to the world if and when the courts fail him in his quest?
The Sea Inside is a quiet revelation that packs emotional honesty, a memorable script (using excerpts from Sanpedro's poetry) and superb acting from Javier Bardem. It tackles a difficult subject more thoroughly and engagingly than has ever been done before and kept me wide awake with eyes glued to the screen even after an exhausting day. Its weakest point is that those of a different viewpoint are handled without the gravitas afforded Sanpedro's own wish to end his life. The visiting priest is an object of ridicule and humour and, while this provides some excellent light relief, it smacks of an absence of intellectual rigour in an otherwise very thorough examination of the issues. But this is only a small criticism in what is otherwise a monumental and highly recommendable film.
Chris Docker
Rating: 8/10
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